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Choral Fantasy
The Fantasy in C minor for Piano, Chorus, and Orchestra, Op. 80, was composed in 1808 by Ludwig van Beethoven.
The Fantasia was first performed at the Akademie (benefit concert) of 22 December 1808, which also saw the premières of the Fifth and Sixth Symphonies as well as a performance of portion of the C major Mass. To conclude this memorable concert program, Beethoven wanted a "brilliant Finale" that would unite in a single piece the different musical elements highlighted in the concert night: piano solo, chorus and orchestra. The Fantasia op. 80, written shortly prior, was thus written expressly to fulfill this role. Beethoven himself played the piano part and the opening solo offers an example of his improvisational style (at the première he did, in fact, improvise this section).
Beethoven wrote the piece during the second half of December, an unusually short time by his standards. He commissioned a poet—whose identity is disputed—to write the words shortly before the performance to fit the already written parts.
Form
The Choral Fantasy, which in most performances lasts about twenty minutes, is divided into two movements:
1. Adagio
2. Finale. Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeinchelnd hold und liebliech klingen« – Presto
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